the reasons why
As I was drawing yesterday I thought about it as a pastime, and then cycling, and why I do them. Firstly I suppose, I wouldn't be writing this if it weren't for the amount of focus that comes from both - they can equally become meditation time or thinking time. I believe, although they can often be lone pursuits (cycling empty country roads and drawing down uninhabited lanes), they also open up the possibility for interaction.
With drawing, especially when seated, people are intrigued by what you're up to - they will come and sneak a peek and possibly have a chat. The chance encounter - a rare luxury in modern life. In a city this can also happen with a fellow cyclist at the lights or in the country when passing another two wheels - something, I imagine, the motorist will rarely encounter in a life-time.
Cycling allows you to understand the land intricately - what seems like a flat to the motorist is in fact a long climb, however shallow. Avoiding pot holes means you become fluent in reading roads - you know the exact sequences of traffic lights - you know the pedestrians who will underestimate your speed - you know the drivers who will open their door on you. You know that white lines become ice on a wet day in summer and you know if you don't take a metre then you will be the one taken advantage of.
Likewise drawing allows you to understand the dynamic of a corner of the world like nothing else. You think about Darwin as you subliminally notice the behaviour of insects and birds. Tree's mesmerize you as they sway. A lone, still puddle is violently displaced by a car just as you finish to record it - things will never be the same. Sunlight comes and goes in an instant and shadows gradually creep east. A secret, unmarked building suddenly has a purpose as the tenants return. The unseen demographic can only be identified by footwear and speech. And cobbles, eroded over centuries, tell their own tale.
Posted by stupot at July 20, 2009 10:17 AM